In a Nutshell
Plot: Scott Lobdell
Pencils: Carlos Pacheco
Inks: Art Thibert
Letterer: Richard Starkings & Comicraft
Colorist: Chris Lichtner, Aron Lusen & Liquid Color
Editor: Bob Harras
Plot
Gene Kendall returns again -- I guess I threatened to do this, so here we are. Having exhausted the known archives of animated G. I. Joe commercials for the Marvel series, it does make a certain amount of sense to cover the other Marvel/Hasbro collaboration of the day, those wily robots in disguise.
Girl, each time I try
I just break down and cry
Pain in my head
Oh, I'd rather be dead
Spinning around and around
Although we've come
To the end of the road
Still I can't let go
Nobody beats G. I. Joe
Over the land and deep down below
Cobra BUGGs got an eye out for Joe
Nobody beats G. I. Joe
A Real American Hero!
April 1997
Writer: Todd Dezago
Penciler: Randy Green
Inker: Scott Hana
Letterer: Richard Starkings & Comicraft
Colorist: Mike Thomas
Editor: Bob Harras
Destro's back
On the attack
Out to conquer the world on his own
But nobody beats G. I. Joe
A Real American Hero
Quick-witted and clean-cut Mason Mackay has something dark within. Struggling to accept his sinister urges, Mason must choose between those he loves and those who deserve brutal justice.
Gene Kendall here, once again acting like a hog and using a blog post to plug his projects. I've been at work for a few years now on Efficient and Divine, a small-town crime thriller series. (They're available on Kindle Unlimited, which is currently running a free trial promotion.) The first novel Almost Heaven is an origin story of sorts for Mason Mackay, a handsome documentarian who discovers a staggering capacity for violence.
Nobody beats G. I. Joe
Nobody beats G. I. Joe
Fighting hard against the Cobra foe
Nobody beats G. I. Joe
A Real American Hero!
019 - Year 4 Cover: X-Men #28
Not a lot of great covers to choose from in '66. Werner Roth's cover to Banshee's first appearance stands out due to the red background & eerie spectral quality to Banshee & the energy created by the figure's movement.
1965 X-Men Comics: X-Men #10-17, Fantastic Four Annual #3
013 - Year 3 Cover: X-Men #13
On his way out in '65 (shifting to only doing layouts & covers), Kirby turns in some of the strongest covers of his run, w/several icon entries. I like this one just a smidge more than #12, the other Juggernaut cover.
As an addendum/archive of my "60 Years of X" social media project, I will post the collective results of each year here upon its completion as a standalone post, and add the results to the running "60 Years of X" page (linked on the top of the left column on the home page) which will, by year's end, feature the entirety of the project and my favorite bits from each of the X-Men's sixty years of existence.
March 1997
Writer: Todd DeZago
Penciler: Steve Crespo
Inker: Scott Hana
Letterer: Richard Starkings & Comicraft
Colorist: Mike Thomas
Separations: GCW
Editor: Mark Powers
Editor-in-Chief: Bob Harras
Hey, if you want to hear me talk about the Claremont/Smith run on Uncanny X-Men — arguably the greatest X-Men run of all time — check out my buddy Ryan Alexander-Tanner's podcast The Runs, on which I recently appeared to do just that.
You can stream the episode directly from here, or listen on most of the usual podcast platforms of choice
Battle Force 2000
The secret force of G. I. Joe
Battle Force 2000
They can take on any foe
For G .I. Joe...a real American hero!