In a Nutshell
Writer: Scott Lobdell
Penciler: Bryan Hitch
Inker: Paul Neary
Letters: Richard Starkings
Colors: Steve Buccellato
Editor-in-Chief: Bob Harras
Sovereign Seven bows out with issue #36, which seems to suggest Claremont originally had a three-year deal that just wasn't renewed. By the time these last few issues were on stands, Claremont was already back at Marvel, working now in an editorial role and writing Fantastic Four after editor-in-chief Bob Harras and previous writer Scott Lobdell experienced some undefined falling-out. Maybe Claremont's new position explains why the letter column quietly vanishes, and why the big finale in #36 doesn’t even have a text piece from him.
This segment is perhaps a little shallow and unfair, but a lengthy discussion of Chris Claremont's work should probably address fandom's complaints about his recurring clichés and recycled X-Men concepts.
A well-stocked supporting cast can both enrich and, if not handled with care, overwhelm a monthly comic book series. Chris Claremont has long been praised for his ability to weave together complex character dynamics and to elevate secondary figures into memorable characters in their own right. At the same time, his tendency to populate a title with sprawling ensembles has led to criticisms that the intricate backstories and sheer volume of cast members bury whatever actual story he was attempting to tell.
Launching a fresh property is never a sure thing, yet DC had reason to be a little optimistic. The release of Sovereign Seven was at least bolstered by the return of Chris Claremont to monthly superhero work and an art style that matched the splashy Image aesthetics of the early ’90s. Of course, this was 1995, not 1992.
The title debuted just as the early‑’90s speculator boom imploded across the industry -- by 1997, overall comic sales would collapse to just 14% of their 1993 high.
So, Gene Kendall here with a full disclosure: Hasbro sent me these figures for review, perhaps following my look back at the 1987 launch of Headmasters, the line that brought us the mighty Scorponok in the first place. And I've been informed September 17th is Transformers Day, a day Hasbro is devoting to various promotions and some new YouTube content.
I have a passing interest in the toy world. I read about the industry, I watch people get very animated about shoulder joints and pricing strategies on YouTube, but I almost never buy any myself. Transformers, in particular, are something I admire from afar -- like outer space phenomenon, or other people's dogs. But here we are, and on my table is the Cyberworld Scorponok Strike Battle Set… and a tiny Mirage Cyber Changer who is very much not a car, which is already confusing this kid of the '80s.
Gene Kendall here, with the launch of another review series of questionable merit and mainstream interest.
Follow the adventures of the Headmaster Transformers and the equally incredible Targetmaster Transformers in Marvel Comics.
Story: Rob Liefeld
Script: Robert Napton
Penciler: Mark Pajarillo & Rob Liefeld, Pajarillo & Paul Scott (issue #2)
Inker: Norm Rapmund & Jonathan Sibal
Letterer: Kurt Hathaway
Colorist: Laura Penton & Andrew Troy
Enhancement: Drew
Separations: Extrem Color
Editors: Jeph Loeb & Eric Stephenson
Special Thanks: Bob Harras and Mark Powers
Well, a combination of day job travel, the punishing (for critics) three-a-week release schedule of the second season of Andor, and my laptop completely and utterly dying a couple weeks ago threw me off my regular schedule.
But, things are starting to settle a bit, and I'm hoping to get back into my regular posting groove again, including this column. My plan is to abandon some of the strict formatting I'd been using, to make something more like a typical newsletter in favor of getting it out more regularly.
My other big news of late is that I was selected to present at the Uncanny Experience, the annual X-Men fan convention here in Minneapolis. My panel is called "Fight The Power: The X-Men as Outlaws", and will focus on the way Claremont repositioned the X-Men from traditional superheroes fighting to preserve the status quo to anti-establishment figures trying to upend it. The full description is as follows:
June 1997
Writer: James Robinson
Penciler: Randy Green & Allen Im
Inkers: Scott Hanna and Scott Koblish
Letterer: Richard Starkings & Comicraft
Colorist: Mike Thomas
Editor: Mark Powers
Editor-in-Chief: Bob Harras
Hey, the Oscars were Sunday!